© Uriél Dana 2017.
[dropcap]G[/dropcap]age Taylor and I rarely painted large oils. Hindsight is one of the three largest. Painted on multiple sanded coats of gesso on a surface as smooth as skin and in layers of oil glazes that create a multidimensional depth. This painting embodies every universal archetype from the East, the West, and the Middle East found in a Taylor Dana painting.
Many cultures around the world use the temple as a symbol for the body, either literally, like the great cathedrals of Europe, or metaphorically, as in the chakra system. The body or temple represented a portal to our soul in a Taylor-Dana oil.
Each of us is a temple of treasure, and as we explore that treasure, we often discover jewels within ourselves we may not be aware of. (The hidden treasure in the background).
We used carpets as the symbol for the secret doctrines, inspired by the flying carpet legends, which evolved from the use of prayer rugs.
Cats, large and small, were used in temples all around the world because of their ability to sense the non physical as well as the physical. Cheetah’s were a favorite of ours because they are the most telepathic and dog like of the feline kingdom. Joy Adamson (author of the well known book and movie, Born Free), kept and studied Cheetahs for years and revealed their astonishing personalities in a book called, The Spotted Sphinx. We embraced their character often as a symbol of the higher self.
You can see more of my artwork here.
Artwork: “Hindsight”, Uriél Dana & Gage Taylor, ©1988. Oil On Canvas (Gage Taylor died in 2000).